Steibearbeitung, 2026

1–2 minutes

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Sculptural work, Berlin 2026

The work developed in the stone workshop at the Universität der Künste (UdK), under the guidance of Axel Haagen, has fostered a deeper engagement with sculptural thinking and a direct understanding of materials and tools through hands-on practice with oolitic limestone, sandstone, and granite. Within this context, a horse bust has been sculpted through an intuitive process, allowing the form to gradually emerge from the block by following the inherent tensions, veins, and resistances of the stone.

u/t
(2026) Berlin
Oolitic Limestone
21 x 17 cm

The resulting sculpture seeks to approach an almost rupestrian sensibility, establishing a relationship of attentive listening with the material and conceiving the stone as a kind of transmitting membrane.

The process does not end with the sculptural form. During the work, the dust and fragments produced are collected, selected, and ground into a fine powder that is later used as pigment for painting. In this way, sculpture and painting are articulated within a single material cycle, where residue is transformed into raw material and the stone continues its existence on another surface.

The resulting sculpture seeks to approach an almost rupestrian sensibility, establishing a relationship of attentive listening with the material and conceiving the stone as a kind of transmitting membrane.

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Art. Nature. Horses. Dance. Science. Exploring painting as a living process.

Natural pigments, stone, gesture, and the movement of the body. The relationship between material, time and territory.

Pieces, experiments, and traces of a practice that embraces transformation, impermanence, and change.

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